In this book, David McMahan offers the first comprehensive attempt to chart the development of "modern Buddhism." His position is critical but empathetic: while he presents modern Buddhism as a construction of numerous parties with varying interests, he does not reduce it to a mistake, a misrepresentation, or a fabrication. Rather, he presents modern Buddhism as a complex histo...(展开全部)

“Rich, learned, briskly written, maddening yet necessary study.”—Lee Siegel, New York Times Book Review Peter Gay explores the shocking modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film. Modernism presents a thrilling pageant of heretics that includes Oscar Wilde, Pablo Picasso, D. W. Griffiths, James Joyce, Virginia Woolf, T. S....(展开全部)

二十世纪的西方艺术历史是一个暴风雨般反叛、改变、价值重估和更新的叙事史。对于我们这些生活在这段历史后半段的人来说，很难察觉这个故事现在已经结束了——就是说，现代主义已经是过去的事了。尽管少数鼓吹者还存在，还很活跃，但是艺术追求的主流已经变了，只是给批评家和历史学家留下了叙述与清点这段历史的任务。 但是至今还没有人提供这样一个关于现代主义的综合性论叙。原因显然在于无人有能力对建筑师、舞蹈设计者、作曲家、电影制作者、小说家、画家和诗人的作品进行综合把握和评论。唯一的选择是省略现代主义观念，聚焦个别作品，这些作品的意义在于它们引起了所有门类的艺术和艺术家的改变。

二十世纪的西方艺术历史是一个暴风雨般反叛、改变、价值重估和更新的叙事史。对于我们这些生活在这段历史后半段的人来说，很难察觉这个故事现在已经结束了——就是说，现代主义已经是过去的事了。尽管少数鼓吹者还存在，还很活跃，但是艺术追求的主流已经变了，只是给批评家和历史学家留下了叙述与清点这段历史的任务。 但是至今还没有人提供这样一个关于现代主义的综合性论叙。原因显然在于无人有能力对建筑师、舞蹈设计者、作曲家、电影制作者、小说家、画家和诗人的作品进行综合把握和评论。唯一的选择是省略现代主义观念，聚焦个别作品，这些作品的意义在于它们引起了所有门类的艺术和艺术家的改变。

“Rich, learned, briskly written, maddening yet necessary study.”—Lee Siegel, New York Times Book Review Peter Gay explores the shocking modernist rebellion that, beginning in the 1840s, transformed art, literature, music, and film. Modernism presents a thrilling pageant of heretics that includes Oscar Wilde, Pablo Picasso, D. W. Griffiths, James Joyce, Virginia Woolf, T. S....(展开全部)

AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

This study discusses basic questions about Rubens's art and life, studies two of his bacchic paintings in detail and describes him in a less easy and more identifiably modern predicament.

Reconsiders the concensus on Rubens as a successful, prolific, and facile court painter who is dwarfed by the achievements of his near-contemporary Rembrandt. This book scrutinizes the assumptions upon which this image is built, and discovers an artist involved with ambivalence and ambiguity.

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。